Designed by Manh Nguyen, this font has light strokes and it’s perfect for magazine titles as well as logos. Carino is a stunning classy modern bold all-caps sans serif that comes in three beautiful weights to complement every project you’re working on. Oregon is a clean and simple vintage sans serif font, with smooth edges to simulate vintage printing. Feel free to write us again and show us the result–if you decide to use a TOC. This font pairs well with modern san serifs and scripts as pictured, or stands strongly on its own as a heading or editorial font. I found A Guide to Combining Fonts very helpful even though it’s about web fonts (all the same principles apply to print fonts too), and it describes mixing modern and traditional fonts in an easy-to-understand way. A perfect mix of new and old. Created as a display typeface in 2012 by Cosimo Lorenzo Pancini, Cocogoose is one of Zetafonts most loved typefaces. Like it’s cousins Erbar, Futura, Spartan, Kabel and others, Tipique’s original characters were originally cut in metal. They are one of the most versatile styles of fonts available to designers, and the style encompasses many different sub-genres. When I started designing books, I had to purchase the fonts I wanted to use. Create gorgeous, elegant graphics with the Fragile Collection, a collection of three unique fonts, each with their own personality, based on classic letterforms and designed for use in headlines, invitations, logos, layouts, and more. Here are two easy ways: Fonts that are specifically designed in pairs definitely complement each other. Thanks for your question and comments, and for sending something we can look at. When you’re experimenting with mixing fonts, you’ll see right away that some combinations work and others don’t. Strong capitals and a smooth, open lowercase are effective in a variety of applications. For projects involving lengthy text, such as books, newspapers, and most magazines, serif typefaces are the most commonly used typestyle. In the example below, the heading stands out because of its size, even though it’s set in a Light instance of Whitney and is a paler color than the surrounding text. Best sans-serif fonts for professional design project. Some of the most commonly used serif fonts include Times New Roman, Garamond, Baskerville, Georgia, and Courier New. Thanks to its nostalgic look, this style of font has been used in a lot of web designs. Typefaces with larger x-heights are generally easier to read tha… It’s useful to note that if the type is larger, it doesn’t have to be bolder or darker to be prominent. An easy way to create contrast is to use different weights of the same font. Gantic is perfect for any branding, logos, magazines, videos, weddings, quotes, print, product packaging, website, clothing designs and much more. Revelstoke is a family of FIVE sans serif fonts designed with a vintage print look in mind. Microsoft Sans Serif font is a very legible User Interface (UI) font. However, in the example above the serif Bodoni is used for the heading. Read more: Typeface vs. font » Why you should know the difference. Thanks for your help. Modulus is a clean, minimal, modern sans typeface. Thank you. Sans serif fonts with several weights (Trade Gothic, Myriad, to name just two) are great for book covers, as you can set each piece of info in a different weight. While some older writing is serif-free, such as Norse runes, sans serif fonts are mostly associated with modern typefaces. Combining serif and sans serif fonts successfully can be a challenge, but it’s much easier once you know a few simple rules. Free Shrimp Sans Serif Font was carefully crafted to form structured, strong and stylish letter form. For example, Adobe Minion (a serif designed by Robert Slimbach in 1990) and Adobe Myriad (a sans serif designed by Robert Slimbach and Carol Twombly in 1992) have become a widely used combination: Serif and sans serif fonts that have similar letterforms are also a good match. The line length, height, page size, page margins, and letter spacing are just a few elements that are impacted by your font choices. Chloe’s contrasting lines and curved terminals give a sleek, elegant look to logos, holiday cards, wedding invitations, quotes, advertisements, and more. GDJ always keep our readers up-to-date with fresh graphic design resources, especially about the fonts. It’s best to use just one or two font family’s but vary the font weig… Have fun and create more. 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